#YOUTUBE AVENTURA CUANDO VOLVERAS PLUS#
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In 2004, the song was covered by 3rd Wish featuring Baby Bash and production from Mintman. A radio remix of the song was added to the 2004 special edition version of Love & Hate, which was exclusively released in Italy.
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In France, the song held the French Singles Chart's number-one slot for seven weeks, and as of August 2014, it was the 19th-best-selling single of the 21st century in France, with 565,000 units sold. The song achieved success in many countries, topping many international charts. It was included on their second studio album, We Broke the Rules (2002), and an English-language version was made for the same album. The close-up shots suited the group well: You could see the dexterity of Lenny’s guitar playing, catch the flexibility of Max’s funk, and watch in awe as Romeo - an utter ham, an irrepressible sensualist, a singer of uncommon sweetness - massaged the cameras with his eyes." Obsesión" is a song by Dominican-American bachata band Aventura with Judy Santos as the female vocalist. Sprinkled throughout the show was some unconvincing shilling for Bud Light Seltzer, but that was a small price to pay for a performance this intimate and careful.
![youtube aventura cuando volveras youtube aventura cuando volveras](https://i.ytimg.com/vi/mI5JxI6WZjw/maxresdefault.jpg)
For about 40 minutes, they played striking, poignant renditions of “Cuándo Volverás,” “Obsesión,” “Enséñame A Olvidar,” “Un Beso” and many more hits. For this performance, three of the four members - Romeo Santos, the frontman Lenny Santos on guitar Max Santos on bass - were together on a sound stage, and the fourth, Henry Santos, was beamed in to do harmony vocals.
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Few acts are as well suited to this stripped-down approach as these innovative bachata superstars. This! I did not see this stellar acoustic Aventura concert live, but thankfully it is archived on YouTube. Plus, there’s nothing worse than having an appointment to keep in a moment in which time has no edge.
#YOUTUBE AVENTURA CUANDO VOLVERAS HOW TO#
They are, for the most part, a poor compensation, an unsatisfactory compression of artists still learning how to express the fullness of their gifts while on lockdown.